Space Tempest is a series of SD1.5 AI outputs created through an iterative process.

Smoke Follows Fire is a generative art series with four pieces, combining elements of chaotic randomness with a clean and precise microstructure which looks like it was machined. In fact, it was, through an organic algorithm that balances order and chaos.

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Event Horizon Sunsets are a class of art works generated through an algorithm which uses Perlin noise to modulate the color, shape, and convexity of a continuous surface. The sunsets are generated instantly in a practical infinity of combinations, and it is possible to write a machine learning classifier that selects the most beautiful ones.

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Event Horizon Sunset (Series B) follows the same algorithm as Event Horizon Sunset with some adjustments to the color transitions. Series B Sunsets are all 2-edition series, except for Sunsets 6 and 8, with are 10-edition series.

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Jake Brukhman’s Space Vases A, B, C, D, and E are part generative work, part manipulated image. There are 100 vases in total, with about 75% of the works selling in an initial drop on Twitter and 25% of the works being given away to friends of the creator. The works now live on their own on the Ethereum blockchain outside of the creator’s custody.

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This is a preview draft mint for "Sand In Gears", a generative art series which, frustratingly, jams our devices with corrosive particles.

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"Ouroboros" is a set of parametric equations which describes a snake eating its own tail. The equations are

x(t) = A*sin(a*t) + B*t*sin(b*t);
y(t) = A*cos(a*t) + B*t*cos(b*t);

This is a 1/1 NFT.

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Brain Storm is a computer-generated class of art works fueled by randomness. These four works found optima in parameters of size, color, and complexity.

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In the vast emptiness of inner space, there is a symmetry burning.

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MFC stands for Merry Fucking Christmas, which is what you get when things go awry. It’s not Christmas yet, but these manipulated photographs are testament to things going awry all on their own anyway.

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Tomorrow’s Disaster takes a plain digital photograph through a technical process of mirroring and creating symmetries followed by adjustments to its hue and color values. The result is a frosted, obfuscated view of what tomorrow might bring.

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I made this piece while traveling in Wuhan, China on my way back from Devcon5 in Japan, a few months before the onset of the coronavirus epidemic. I made it from a photograph of my food tray on the flight heading into Wuhan from Osaka.

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These two pieces are the inaugural pieces of my “Imagination Figments” collection on rarible.com. “Figments” are trying to depict moods and mental states, envisioning that in the future folks will surround themselves with digital art in their dwellings and workspaces.

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In this manipulated image, abstract surfaces are multiplied and their constituent color palette amplified. We exploit the mundane minutiae of everyday planes to express a violent onslaught of hidden structure and texture. Made from iPhone photographs of simple white surfaces.

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There are so many games we never see.

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This took forever to get right, because it takes that long to synchronize with a heartbeat. This heart pulsates about 20 times a minute.

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Decadent space-time is a rubber sheet.

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